The miniseries contained scenes from the films mixed with retrospectives of numerous actors, directors, and producers, many of whom starred in the films on the countdown. Whannell is respectful to the classic Universal monster movie with which it shares its name (look out for a cameo from those trademark bandages), but this is no reverential retread. TH, Cast: Boris Karloff, Ernest Thesiger, Charles Laughton, Perfect weather for ducksBelieved lost for over 30 years, they found ‘The Old Dark House’ in the Universal Studios vaults in 1968. TH, Sounds like the neighbours are doing DIY again‘Who will survive… and what will be left of them?’ It’s a question that applies as much to the audience for Tobe Hooper’s relentless stalk-and-saw shocker as to its doomed, hapless characters. Scientists Think These 10 Horror Films Are The Scariest You'll Ever See. Like ‘The Babadook’, it’s the disruption of domesticity and family trauma that haunts ‘Hereditary’, the debut film from writer-director Ari Aster. At night, inside their flimsy tent, they are assailed by creepy scuffling and eerie screams. NF, Our feathered friends Along with ‘Psycho’, this loose spin on a Daphne du Maurier novella marked Hitchcock’s main foray into horror territory. The 100 best horror movies - the scariest films ranked by experts, Jaeden Lieberher, Bill Skarsgård, Sophia Lillis. I like gin,’), who’s constantly bickering with his batty, deaf sister. When the time comes for Family Movie Night, get the pulse pounding and the heart racing with these fun, scary movies for kids. Of course, this year had its own plans. But watch it late at night, alone, and this might be the greatest ghost story of them all, in which the things going bump in the night aren’t out there in the dark, but right inside the room – or inside your mind. But it’s also a ferociously modern drama, picking apart the political and social threads which just about held America together under the Bush administration. Wes Craven had a writing credit on ad director Jim Sonzero’s 2006 remake, which retained the original’s morbid atmosphere and apocalyptic ending but precious little else. The summer release of this brilliant ‘Wicker Man’-ish horror from fast-rising US filmmaker Ari Aster was accompanied by the sound of a thousand Scandinavian holiday plans being torn up. But let’s not overlook Dan O’Bannon’s script, which builds character without assigning age, race or even gender – plus one of the finest casts ever assembled. Yet for all its crude excesses – a foetus is ripped from its mother’s womb, a tortoise is skinned alive, genitals are sliced off – ‘Cannibal Holocaust’ does achieve an undeniable visceral intensity. Boy meets girl. TH, Is that a carving knife in your pocket or are you just pleased to see me?Movie snobs always have to point out that Bob Clark’s ‘Black Christmas’ actually birthed the slasher subgenre, but it was the astonishing success of John Carpenter’s breakthrough indie ($70 million worldwide on a $300,000 budget) that really set things in motion. When a coroner is called to a small town to inspect the corpse of a maid, he finds a silver coin inserted into her heart. The imaginatively gruesome killings and chase scenes come thick and fast and the nerve-jangling sound design exacerbates the tension, making it virtually unbearable. The Birds Creepshow; 98. TH, Buy, rent or watch 'Nosferatu: A Symphony of Horror', Cast: Julie Harris, Claire Bloom, Richard Johnson, Things that go bump in the nightWith some horror movies, it’s all about context – watch ‘The Haunting’ on a well-lit afternoon and it’ll seem creaky, old-fashioned, even a bit silly. Like many future horror classics, ‘The Thing’ was hated on first release, dismissed as an ‘Alien’ clone more interested in pushing the boundaries of SFX than in character or tension. The film is also notable for its smart, ‘Buffy’-ish observations on teenage life, before the conflation of high school trauma and supernatural horror became a cliché. Refine See titles to watch instantly, titles you haven't rated, etc. And while the franchise may have descended swiftly into self-parody – they marketed Freddy Krueger dolls to pre-teens, if you recall – the original remains one of the most daring, inventive and downright terrifying shockers of the last century. You’re just never sure where he’s driving you. The 100 Scariest Movies of All Time These are the films that terrify us in ways we never forget DC, Cast: Shauna Macdonald, MyAnna Buring, Natalie Mendoza, Subterranean nightmare bluesWhat might have been a routine ‘chicks with picks’ movie is lent extra emotional depth by the complex group dynamics of six young women who plunge into an Appalachian cave system and discover they are not alone. Sequels and remakes have come thick and fast, but nothing will ever match your first encounter with the original and its brutal, hammer-over-the-head power. For this story, a husband (Michael) is possessed, dragged into the mirror and inspired to try and kill his wife (Withers). Shot over five years on a budget scraped together from university funding, art grants and odd jobs (Lynch even had a paper round at one point), ‘Eraserhead’ fits squarely within the tradition of American avant garde cinema, but like many of its fellows (the films of Kenneth Anger, for example) it flirts with horror imagery and has a tone of creeping dread which more than justifies its position in this list. First, there are the grotesque characters, each horrific enough in their own way, from the boo-hiss headmaster (Paul Meurisse) to his nervy wife (Vera Clouzot) and bullish mistress (Signoret). TH, Directors: Alberto Cavalcanti, Charles Crichton, Basil Dearden, Robert Hamer, Cast: Michael Redgrave, Googie Withers, Ralph Michael, Don’t be a dummy It’s Redgrave as a ventriloquist possessed by his own dummy that most people rightly remember about this Ealing Studios anthology of horror yarns, woven together as a series of tales told by guests at a tea party at a remote cottage. Full of rage was the answer Danny Boyle came up with in ‘28 Days Later...’, in which a group of animal liberation militants free lab chimps infected with a fatal virus. Dr Frankenstein has given up playing God and tinkering with cadavers, but his dastardly mentor Praetorious blackmails him into creating a mate (Lanchester) for the monster. ‘The Evil Dead’ had humour but it was still, at heart, a video nasty: that tree-rape scene tended to kill the chuckles. In the context of the satanic cinema craze of the late ’60s and ’70s, ‘The Omen’ is not quite up there with ‘The Exorcist’ or ‘Rosemary’s Baby’. A tale of hypnotism, hysteria and multiple murder set in a twisted, folksy German landscape filtered through the disturbed imagination of a madman, its fractured landscapes reflect the shattered psyche of a nation in defeat, but they also prefigure the greater horrors to come. Here's mine. Conceived alongside ‘Persona’, Bergman offers the full horror of an artist’s breakdown and crumbling of his marriage (and perhaps his wife’s mind too) – all of which is presented, at times, as a full-on Gothic nightmare, with characters walking on ceilings, men appearing in hallucinations as birds and a gruesome flashback in which Von Sydow’s character remembers attacking a young boy with a rock. Director George Romero insists that much of what made his debut so groundbreaking – the in-your-face documentary camerawork, the unadorned interiors and unpolished performances – were just the necessary result of zero-budget filmmaking. There’s nothing too nasty in this effects-packed ghost story – the odd face-rip, the occasional pop-up corpse – but the effect is more bracing and enjoyable than a hundred ‘Hostel’s. They slink off to skinny dip. Whether your skin crawled over the sight of gore or your spines tingled at the sound of a werewolf, it was your fear to cultivate, and you wore that fear as a badge of courage. Stephen King, on whose novel the film was based, was famously unimpressed. Blunt and co will reprise their roles for the sequel, which also adds Cillian Murphy and Djimon Hounsou to the cast, and which is due in 2021. TH, Director: Brad Anderson Cast: Peter Mullan, David CarusoIt’s a madhouse!This microbudget American indie was such a flop that it didn’t even get a cinema release in the UK. Cheers, Freddy. The visual debt owed by Argento’s ‘Suspiria’ and ‘Inferno’ is abundantly clear. It’s a cleansing of sorts that filters out our own personal anxieties that stem from real-world problems. Is ‘Bride of Frankenstein’ the best film inspired by Mary Frankenstein’s nineteenth-century bone-chiller? What made you scared said so much about you as a person. 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